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Miniature set designer jobs in Finland

Miniature set designers design and build miniature props and sets of motion pictures. They build models used for visual effects that meet the look and requirements of the production Miniature set designers cut material using hand tools to construct three-dimensional props and sets.

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Miniature set designer - Which skills are essential?

Apply ergonomy principles in the organisation of the workplace while manually handling equipment and materials.

Manage the sequence of activities in order to deliver completed work on agreed deadlines by following a work schedule.

Set, remove, or move props on a stage during a changeover.

Consult with the director, producer and clients throughout the production and post-production process.

Make use of protection equipment according to training, instruction and manuals. Inspect the equipment and use it consistently.

Build miniature sets from a variety of materials, working with the design staff to create the appropriate prop for the production.

Make sure to stay within budget. Adapt work and materials to budget.

The techniques to create a visual representation of ideas and messages.

Arrange props on the stage in preparation of a performance.

Draw miniature prop sketches and define prop materials and building methods.

Build miniature props from a variety of materials, working with the design staff to create the appropriate prop for the production.

Arrange miniature sets in preparation of shooting.

Create three-dimensional models of the envisioned set layout.

Draw miniature set sketches and define set materials and building methods.

Produce plans, drawings and models of sets.

The science of recording light and electromagnetic radiation in order to create a motion picture. The recording can happen electronically with an image sensor or chemically on light sensitive materials such as film stock.

Necessary health, safety, hygiene and environmental standards and legislation rules in the sector of particular activity.

Miniature set designer - Which skills are useful but not essential?

Monitor and control the flow of supplies that includes the purchase, storage and movement of the required quality of raw materials, and also work-in-progress inventory. Manage supply chain activities and synchronise supply with demand of production and customer.

File and document a production in all its phases right after the performance period so that it can be reproduced and all relevant information remains accessible.

Manage and monitor consumables stock to ensure that the production demands and deadlines can be met at all times.

Work with the crew responsible for the camera operation and movement to get directions from them on where to stand for an aesthetic result.

Adapt and move set pieces during rehearsals and live performances.

Adapt existing props for use in a specific production.

Art and practice of creating aesthetically appealing images by recording light or electromagnetic radiation.

Take the necessary precautions while providing temporary power distribution independently. Measure and power up an installation.

The various development stages of making a film, such as scriptwriting, financing, shooting, editing, and distribution.

Attend rehearsals in order to adapt sets, costumes, make-up, lighting, camera set up, etc.

Check and safely operate machines and equipment required for your work according to manuals and instructions.

Work with the director of photography on the artistic and creative vision that needs to be followed during production of a movie or theatre production.

Take necessary precautions while preparing, transporting, storing, installing and operating pyrotechnical materials and explosives of class T1 and T2.

Cooperate with the artistic team in order to facilitate the transition from the creative vision and its artistic concepts to a technical design.

Take the necessary precautions for storing, using and disposing chemical products.

Define and make a list of the required resources and equipment based on the technical needs of the production.

Break down a script by analysing the dramaturgy, form, themes and structure of a script. Conduct relevant research if necessary.

Anticipate possible technical problems with scenic elements.

The characteristics of techniques used to create atmospheres and effects on camera or on stage; the equipment required and appropriate setup to use.

Hand the right props to actors before each scene. Give them directions on how to use objects.

Work with the crew responsible for the lighting setup and operation to get directions from them on where to stand for an aesthetic result.

Inspect and amend the scenery and set-dressing to make sure the visual quality is optimal with in constraints of time, budget and manpower.

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Sources

This service uses the ESCO classification of the European Commission.

How we calculated these figures