Постановщик сценических боёв — работа в Финляндии
Fight directors coach performers to safely execute fight sequences. They direct fights for performances such as dance, movies and television, circus, variety, and others. Fight directors may have a background in sports such as fencing, shooting or boxing, martial arts such as judo, wushu or karate, or military training.
Постановщик сценических боёв - Какие навыки обязательны?
Communicate expectations and targeted results, transmit the fight sequences, and technical aspect of the fighting discipline, etc. Help the performers/dancers internalise the fights sequences and fighting techniques. Supervise them in action and motivate and help them them achieve their maximum potential. Make performers them aware of the associated risks. Get performers to rehearse fights.
Legislation, on a national or international level, that governs labour conditions in various fields between labour parties such as the government, employees, employers, and trade unions.
Apply ergonomy principles in the organisation of the workplace while manually handling equipment and materials.
The regulations that govern the set of rights protecting products of the intellect from unlawful infringement.
Guide the performers' training sessions in your fight discipline so that they gain mastery in fighting techniques, movements and actions. Assess their potential to learn fight actions in a safe way. Organise the training, determining its goals. Direct the performers' training.
Make sure that fighting techniques used in a performance are adapted for the purpose. Ensure the safety of the performers and the audience. Adapt fighting techniques to fit the context and artistic vision of the production.
Transfer the work from one location to another when necessary. Ensure a video recording is made. Ensure that the integrity of the work is respected and that elements linked with the work are maintained (weapons, munition, etc.). Update a work when asked for.
Do an analysis of the work and expertise in fight discipline and use this to find an approach in directing fight actions with the choreographer/director.
Make use of protection equipment according to training, instruction and manuals. Inspect the equipment and use it consistently.
Monitor artistic events, trends, and other developments. Read recent art publications in order to develop ideas and to keep in touch with relevant art world activities.
The legal disclosures and insurances one need to work as fight director with performers, taking into account the use of weapons and risk assesment.
Market one's own strengths in terms of skills and knowledge.
Apply the safety rules according to training and instruction and based on a solid understanding of the prevention measures and risks to your own personal health and safety.
Adjust the physical, practical and artistic components of the work to the realities of the performance venue. Check the material parameters and technical conditions of the venue, such as scenery and lighting. Check the seating arrangements. Assess the impact of the environment and space on the work.
Present yourself and your artistic approach. Position your work in target markets. Promote and market yourself and your oeuvre.
The key aspects of applied anatomy, psychology, nutrition, physiology, and psychosocial studies and how they relate to the self-awareness of one's body.
Постановщик сценических боёв - Какие навыки полезны, но не обязательны?
Guide your career to an international level which often requires the ability to interact, relate and communicate with individuals from different cultures.
Assess risks, propose improvements and describe measures to be taken on a production level in performing arts.
Manage an artistic project. Determine project needs. Establish partnerships. Manage the budget, schedule, contractual agreements and assess the project.
Read and note dance scores (if the choreography is notated or is reconstructed from a historical approach).
Show sensibility towards cultural differences by taking actions which facilitate positive interaction between international organisations, between groups or individuals of different cultures, and to promote integration in a community.
Wield one or more types of small swords in combat. Practice fencing as a sport rules, or fence in different contexts such as duels or performances.
Ability to develop specific goals and plans to prioritise, organise, and accomplish work.
Memorise your role in a performance or broadcast, whether it is text, movement, or music.
Read the musical score during rehearsal and live performance.