Преподаватель циркового искусства — работа в Финляндии
Circus arts teachers instruct students in a recreational context in the various circus techniques and acts such as trapeze acts, juggling, mime, acrobatics, hooping, tightrope walking, object manipulation, unicycling tricks, etc. They provide students with a notion of circus history and repertoire, but mainly focus on a practice-based approach in their courses, in which they assist students in experimenting with and mastering different circus techniques, styles and acts and encourage them to develop their own style. They cast, direct and produce circus performances, and coordinate the technical production and possible set, props and costume usage on stage.
Преподаватель циркового искусства - Какие навыки обязательны?
Manage, schedule and run rehearsals for the performance.
Ensure all students falling under an instructor or other person’s supervision are safe and accounted for. Follow safety precautions in the learning situation.
Check the daily and long term schedules for rehearsal, training, performances, season, tour, etc., taking into account the project timeline and all the preparations required by the production.
The way the circus concepts and traditions have evolved through time and their artistic meaning.
Have a very high level of practical and technical skills and competences of one or several chosen circus disciplines in order to enter into the professional circus field.
Take students' opinions and preferences into consideration when determining learning content.
Develop a style for coaching individuals or groups that ensures all participants are at ease, and are able to acquire the necessary skills and competences provided in the coaching in a positive and productive manner.
Prepare content to be taught in class in accordance with curriculum objectives by drafting exercises, researching up-to-date examples etc.
Continually develop and define a concrete artistic vision, starting from the proposal and continuing all the way through to the finished product.
Motivate performers to take on challenges. Encourage peer-learning. Establish an environment for experimentation using various methods, such as improvisation.
Follow up on students’ learning progress and assess their achievements and needs.
Adjust plans to other locations with regards to the artistic concept.
Manage the relations between students and between student and teacher. Act as a just authority and create an environment of trust and stability.
The specific terminology related to the circus activities.
Select artistic materials based on strength, colour, texture, balance, weight, size, and other characteristics that should guarantee the feasibility of the artistic creation regarding the expected shape, color, etc. - even thought the result might vary from it. Artistic materials such as paint, ink, water colours, charcoal, oil, or computer software can be used as much as garbage, living products (fruits, etc) and any kind of material depending on the creative project.
Identify the learning struggles and successes of students. Select teaching and learning strategies that support students’ individual learning needs and goals.
Stay informed on new trends and apply them on artistic experiences.
Employ various approaches, learning styles, and channels to instruct students, such as communicating content in terms they can understand, organising talking points for clarity, and repeating arguments when necessary. Use a wide range of teaching devices and methodologies appropriate to the class content, the learners' level, goals, and priorities.
Adjust the level of effort required for the artistic production. Adapt or adjust movements and movement sequences. Set performance limits. Allow recovery periods and take other measures.
Range of training and rehearsal techniches that seek to encourage emotionally expressive performances. Techniques to address all aspects in making a film, play, performance in general.
Verify the technical aspects of your workspace, costumes, props, etc. Eliminate potential hazards in your work space or performance. Intervene actively in cases of accidents or illness.
Work together with other circus artists and management. Make sure to do your part while keeping the performance as a whole in mind.
The cooperation between people characterised by a unified commitment to achieving a given goal, participating equally, maintaining open communication, facilitating effective usage of ideas etc.
Present to others examples of your experience, skills, and competences that are appropriate to specific learning content to help students in their learning.
Provide founded feedback through both criticism and praise in a respectful, clear, and consistent manner. Highlight achievements as well as mistakes and set up methods of formative assessment to evaluate work.
Share knowledge and abilities with other performers teaching them important circus skills.
Maintain discipline and engage students during instruction.
Oversee the day-to-day coordination of production tasks so that the organisation fits within the desired artistic and business policies and in order to present productions in a uniform corporate identity to the public.
Ensure that the necessary materials for teaching a class, such as visual aids, are prepared, up-to-date, and present in the instruction space.
Support and coach students in their work, give learners practical support and encouragement.
Understand how a circus show is composed.
The various types of movement and physical postures undertaken for relaxation, body-mind integration, stress reduction, flexibility, core support and rehabilitation purposes, and that are required for or underpin occupational performance.
Stimulate students to appreciate their own achievements and actions to nurture confidence and educational growth.
Преподаватель циркового искусства - Какие навыки полезны, но не обязательны?
Select pieces of music for a live performance. Consider factors such as ensemble abilities, availability of scores and the need for musical variety.
Apply the principles and rules that govern the activities and processes of an organisation.
Define the specific safety, technical and performance needs for circus acts rigging in a technical rider or description.
Encourage students to cooperate with others in their learning by working in teams, for example through group activities.
Manage an artistic project. Determine project needs. Establish partnerships. Manage the budget, schedule, contractual agreements and assess the project.
Various evaluation techniques, theories, and tools applicable in the assessment of students, participants in a programme, and employees. Different assessment strategies such as initial, formative, summative and self- assessment are used for varying purposes.
Identify your areas of interest and ambitions. Relate them to artistic trends.
Select the correct training environment and assess risks to ensure it provides a safe, clean and friendly fitness environment and that it will be the best use of the environment in which clients are exercising.
Check the rigging installation for circus acts in order to ensure safe and correct operation.
Use cosmetics on artists for stage performances.
Evaluate the students' (academic) progress, achievements, course knowledge and skills through assignments, tests, and examinations. Diagnose their needs and track their progress, strengths, and weaknesses. Formulate a summative statement of the goals the student achieved.
To adopt a pleasant, professional and positive manner with all customers, anticipating their needs and passing customer complaints to a member of the management team (if necessary) in a calm, professional and non confrontational manner.
Provide assistance to students when working with (technical) equipment used in practice-based lessons and solve operational problems when necessary.
The various techniques for using your voice correctly without exhausting or damaging it when changing voice in tone and volume.
Develop and plan the learning goals and outcomes for education institutions, as well as the required teaching methods and potential education resources.
The various techniques and tools for applying make-up.
Develop speeches, activities and workshops in order to foster access and comprehension to the artistic creation processes. It can address a particular cultural and artistic event such as a show or an exhibition, or it can be related to a specific discipline (theatre, dance, drawing, music, photography etc.). Liaise with storytelles, craftspeople and artists.
The pronunciation techniques to properly and understandably pronounce words.
Apply ropework to work in elevated position. Safely ascend and descend ropes, wearing a harness.
Understand, analyse and describe your own performance. Contextualize your work in one or various styles, trends, evolution, etc. Self-evaluate your work in rehearsals and performances.
Instruct riggers in detail about intended use, place, requirements and safety issues of circus rigging equipment in order to ensure safe and accurate assembly and fit-up of the equipment.
Define your own artistic approach by analysing your previous work and your expertise, identifying the components of your creative signature, and starting from these explorations to describe your artistic vision.
Check, maintain and adapt circus rigging equipment regularly and before each performance.
Present yourself and your artistic approach. Position your work in target markets. Promote and market yourself and your oeuvre.
Identify the essence of a proposed artistic project. Assess the strong and weak points of the proposal. Judge whether to accept the proposal, and whether to propose modifications.
The goals identified in curricula and defined learning outcomes.
Другие профессии
- Преподаватель танцев
- Учитель музыки
- Артист цирка
- Преподаватель фотографии
- Учитель театрального искусства в средней школе
- Учитель средней школы
- Учитель начальных классов
- Преподаватель грамотности для взрослых
- Преподаватель хореографии в школе исполнительских искусств
- Спортивный тренер
- Учитель вальдорфской школы
- Учитель школы Френе